Camel cigarettes may have a new pitchman
Rob Dellenback has crafted a life-sized camel — made out of thousands of smoked Camel cigarette filters and butts. Dellenback
guesses he smoked about 30 percent of the cigarettes that make up the tan and white beast.
Nothing like sacrificing the body for art.
“We’d walk around downtown on the weekend too, with bags and gloves, collecting butts,” he said. “The tobacco smell has faded over time. When we first made it, the smell would fill a room up.”
Dellenback’s camel, Peter Loose’s dulcimer duck and Beverly Babb’s rebar re-created clothesline are just a few of the more quirky works of art displayed at the Lyndon House’s 35th Juried Exhibition.
There are hundreds of more traditional photographs, paintings and sculptures that make up the show, which has no established categories.
Ron Platt, the curator of modern and contemporary art at the Birmingham Museum of Art, selected the 142 pieces that made the cut from 740 entries.
Platt leaned toward works that showed creativity and diversity, he said in his notes.
“Originality is what’s most important to me, and assessing that is hard to describe because it’s so intangible,” Platt said. “I pick what I think are the best works in all mediums and categories for the exhibition.
“Choosing the award recipients is the hardest part — (it’s) also the most fun.”
The four Merit Award winners each represent a different medium. DeWitt Smith’s “Yellow Naked Raku” is a clay pot. Barbara Mann’s “Single Cell Brooch” is jewelry made of silver, gold and emerald. Jennifer Desormeaux’s large photograph, “Guest Room,” is a picture of a bed with uneven pillows and no headboard backed up against a wall where the painter missed more than a few spots.
Then there’s Mare Rugg and her hand-woven fabric. “Variation on a Twill 2,” she calls it, has all kinds of weaves and undulations that really caught Platt’s eye.
“I like patterns that undulate, so this was my take on undulating twill,” Rugg said.
The resulting award completely surprised Rugg, who has been weaving for 30 years.
“It’s an honor just to be in the Lyndon House show,” she said. “To win an award, I’m just thrilled.”
There’s plenty more to see, like Charby Patterson’s painting, “The Horses.” Patterson used little dots of every color of paint imaginable to make up two horses running in a field under a fading sky, as the title suggests.
Nico Ambush’s “Clay Bowl” is brown and so thin in some areas that it looks like rusted metal.
Joseph Berry captured the aftermath of tailgating on the University of Georgia’s north campus in “UGA Post Pregame Party.” Busted Styrofoam coolers, red Solo cups and empty beer cases fill up the photograph.
But there’s nothing quite like Dellenback’s “Camel.” Dellenback
figures he has about $10,000 worth of steel and burlap that made up the camel, and that doesn’t even count the cigarettes.
It’s a piece that Dellenback won’t easily part with, but it is for sale.
The first $110,000 takes it home.




